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The Graduate Programs in Band/Wind Ensemble Conducting are designed to be small
and highly select. The objective of the Master's and Doctoral programs in Band/Wind
Ensemble Conducting is to prepare highly competent conductors of wind music. Graduates
will be prepared to function effectively in professional and academic settings.
The Music Faculty of The University of Texas at Austin considers study in music
history, theory and related fields essential components of a conductor's preparation.
The musical environment provided by The University of Texas at Austin and the Austin
metropolitan area represents an ideal setting for graduate study in wind conducting.
The School of Music maintains an excellent library and a distinguished faculty,
in addition to sponsoring several wind performing organizations. These performing
ensembles, which are composed entirely of students, differ in size, purpose and
repertoire. Collectively they provide an outstanding musical resource for those
enrolled in the conducting program.
Admission Procedure
The graduate programs in Band/Wind Ensemble Conducting are designed to be small
and highly select. It is expected that the applicant will have had significant experience
as a conductor. Requirements for admission include:
- A Bachelor's Degree in Music from an accredited institution. Exceptions may be made
for students with degrees in other fields if equivalent training can be demonstrated.
- A mastery of advanced conducting techniques gained through conducting experience
beyond the training level.
- Submission of transcripts of all previous college work.
- Familiarity with a substantial repertoire of music (see
Repertoire Lists).
The committee will be looking for a demonstration of unusually effective musical
sensitivity on the part of the applicant, as well as the ability to communicate
effectively with and stimulate a group of performers.
Applicants interested in the Master's Degree should be familiar with and be able
to conduct approximately 25% of the repertoire in both lists. Applicants interested
in the Doctor of Musical Arts Degree should be familiar with and be able to conduct
at least 50% of the repertoire in both lists.
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Composer |
Composition |
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Beethoven |
Rondino |
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Beethoven |
Octet |
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Benson |
The Solitary Dancer |
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Berg |
Kammerkonzert |
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Colgrass |
Winds of Nagual |
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Dahl |
Concerto for Alto Saxophone and Wind Orchestra |
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Dvorak |
Serenade in d minor, op. 44 |
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Etler |
Clarinet Concerto |
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Gounod |
Petite Symphonie |
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Hindemith |
Konzertmusik, op. 41 |
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Hindemith |
Konzertmusik, op. 49 |
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Hovhaness |
Symphony No. 4 |
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Ives |
Scherzo (Over the Pavements) |
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Mahler |
Um Mitternacht |
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Mendelssohn |
Overture für Harmoniemusik |
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Messiaen |
Oiseaux Exotiques |
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Messiaen |
Couleurs de la Cite Celeste |
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Messiaen |
Et expecto Ressurectionem Mortuorem |
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Mozart |
Serenade No. 11, K. 375 |
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Mozart |
Serenade No. 12, K. 388 |
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Mozart |
Gran Partita |
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Poulenc |
Suite Française |
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Reynolds |
Scenes |
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Reynolds |
Scenes Revisited |
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Strauss |
Serenade, op. 7 |
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Strauss |
Suite, op. 4 |
Band Repertoire
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Composer |
Composition |
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Benson |
The Leaves are Falling |
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Benson |
The Passing Bell |
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Colgrass |
Winds of Nagual |
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Copland |
Emblems |
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Dahl |
Sinfonietta |
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Grainger |
Colonial Song |
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Grainger |
Lincolnshire Posy |
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Grantham |
Fantasy Variations |
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Grantham |
Southern Harmony |
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Harbison |
Three City Blocks |
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Hindemith |
Symphony in B flat |
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Husa |
Apotheosis of this Earth |
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Husa |
Music for Prague 1968 |
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Krenek |
Dream Sequence |
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Mennin |
Canzona |
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Maslanka |
Symphony No. 4 |
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Milhaud |
Suite Française |
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Reynolds |
Concerto for Band |
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Schoenberg |
Theme and Variations, op. 43a |
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Stucky |
Fanfares and Arias |
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Vaughan Williams |
Tocatta Marziale |
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Welcher |
Zion |
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